Ann Getty



page 1 of 2 Next

ANN GETTY

The designer’s passion for history and exquisite
craftsmanship inspires the pieces
in her furniture collection
TEXT Sara Linda
PHOTOGRAPHY Courtesy of the Ann Getty House Collection,
San Francisco, CA

Ann Getty has always maintained great enthusiasm for antiquities, and early in her marriage to composer Gordon Getty, son of oil tycoon J. Paul Getty, she cultivated her interest through her family ties. “One of my greatest mentors in the art of collecting antiques was my father-in-law, J. Paul Getty. His knowledge and attention to detail helped me develop my love for 17th-, 18th- and 19th-century antiques and craftsmanship,” Getty says.


The expertise she gained in antiques, along with her innate passion for beauty, led to the creation of Getty’s design business, Ann Getty & Associates. “I needed to make a career shift to be home with my granddaughter and family. I had done interiors for my family and friends for many years, so officially launching a business seemed like a natural progression,” Getty says.
Founded in 1995, her full-service interior design firm is based in Getty’s hometown of San Francisco.

Specializing in residential interiors, the firm also focuses on preserving antiques and honoring the integrity of a structure’s architecture. “When I choose a piece for an interior, I consider its possible surroundings. I don’t want furniture to conflict with architecture,” Getty says.


In keeping with her firm’s objectives, Getty developed and launched the Ann Getty House Collection in 2003 — a furniture line that includes faithful reproductions of the many period pieces she admires and owns. “I chose the reproductions in my line because I felt they served as such excellent examples of a certain time in history and exquisite craftsmanship,” Getty says. “The chairs, particularly such limited-edition pieces as the “Venus,” “Louis XV Side” and “Badminton” chairs, are pieces I love in my own home.”


In addition to her furnishings, Getty gleans ideas from her extensive travels and archeological explorations. “My appreciation of beauty has been influenced by my travels and the incredible craftspeople I have met along the way,” she says. “I’ve found inspiration in junkyards, archeological digs, nature, rare textiles and the great houses of England. My favorite places to find craftspeople and accessories for my design business are in Asia and the Mediterranean.”


Her immediate family has also played an enormous role in Getty’s design philosophy. “Since I had four sons in five years, I learned early on that good design should also be efficient and functional,” Getty says. “The children and grandchildren in my life center my designs in a way that make my interiors both beautiful and livable. Even today, my granddaughter helps me select fabrics, reminding me to combine whimsy and design. And I, in turn, teach all my grandchildren that there is beauty and discovery everywhere.”


When asked to describe the future direction of the Ann Getty House Collection, Getty says, “Now that the furniture line has been successfully launched, I want to add pieces and dedicate myself to interior design projects. I’m also exploring textiles, rugs, cushions, pillows and accessories — particularly porcelain vases.”


Getty also expresses a desire to grow the collection beyond the United States. “I’m hoping to use my current commercial project in Shanghai as a springboard to do more business internationally,” Getty says.


Nationally, the Ann Getty House Collection is available through Shears & Window at the San Francisco Design Center, Randolph & Hein at the Pacific Design Center in Los Angeles and Watkins & Fonthill at the D&D Building in New York.


Locally, her collection can be found at J. Nelson, Inc. at the Design Center of the Americas in Dania Beach, Fla. To contact the showroom, call 954/929-8880. Or, for more information on the furniture line, visit the Ann Getty House Collection’s website at www.anngettyhouse.com. u

GETTYD15-4A

ANN GETTY

GETTYD15-4B
above: The “Bureau Bookcase” is a reproduction of an original piece, circa 1720.
GETTYD15-4C
above: The “Georgian Library Chair” is based on a George III armchair with inlaid patterns.
GETTYD15-4D
above: The “Badminton” chair references the period of George II, circa 1752-54.
GETTYD15-4E
above: This English Regency-style dining chair, circa 1815, has a solid mahogany frame and lion’s paw feet.   
GETTYD15-4F
above: With its cartouche-shaped padded back, the “Georgian Side Chair” features legs with gilt and carved details.